Success Points Highlights

DEFINE WHAT IS SACRED TO THE CHARACTERS

DEFINE WHAT IS SACRED TO THE CHARACTERS

One of the most powerful ways to deepen anthropological realism in literature is to determine what your characters consider sacred. If you think about it, the answer to this question is what rules our lives; why should it not guide the characters you write? When I say...

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THE DREAM AND ITS PRICE

THE DREAM AND ITS PRICE

Americana literature is storytelling that captures America’s character through its people, landscapes, struggles, traditions, and shifting dreams. The genre reveals America’s identity through lived experience rather than abstract or academic philosophy. One of the...

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INSERTING NATURAL ACTION INTO A SCENE

INSERTING NATURAL ACTION INTO A SCENE

One of the fastest ways to inject life into a scene is action. Not noise. Not chaos. Action. Few tools change a scene’s energy as quickly as a sudden physical altercation: a shove, a punch, a grab, a chair tipping backward. Used correctly, a physical altercation...

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WRITE DIALOGUE ACTORS CAN SAY NATURALLY

WRITE DIALOGUE ACTORS CAN SAY NATURALLY

One of the most important lessons a writer can learn about writing good dialogue, especially dialogue meant for actors to speak, is simple: dialogue must sound natural when spoken. Dialogue, if properly written, isn’t found on the page; it’s found in the air, spoken...

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ACCOUNTABILITY BEGINS WITH INTENTION

ACCOUNTABILITY BEGINS WITH INTENTION

Most people think about accountability only after a project begins—such as showing up, meeting deadlines, providing progress reports, and doing check-ins to gauge your status. They consider the consequences if you fail to show up. But true accountability doesn’t start...

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THE HABIT OF FORWARD

THE HABIT OF FORWARD

I didn’t realize when moving forward stopped being a conscious decision and became an ingrained habit. Initially, forward motion felt like discovery. Each new task I completed, each small success I achieved, fostered the sense that movement was shaping my future. I...

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THE FIRST MOMENTUM

THE FIRST MOMENTUM

The first time effort changed my world, I felt it before I understood it. It wasn’t a dramatic moment; it was an impulse. We had few neighbors during my boyhood, but as I walked down the road, I saw wild onions growing in their yards. Someone had mowed their spring...

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THE QUIETNESS BENEATH THE STRIVING

THE QUIETNESS BENEATH THE STRIVING

In that quiet moment, I realized I was no longer striving. For most of my life, I chased something I could never quite name. I moved against the ticking of an internal clock only I could hear, always aware that time kept moving forward. No actual Big Ben was telling...

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WHEN BEING SEEN WAS COSTING ME MY VOICE

WHEN BEING SEEN WAS COSTING ME MY VOICE

I had been visible for years before I realized I was disappearing. My name appeared on programs. My work circulated in rooms I wasn’t in. I was introduced, quoted, and invited back. People recognized me in hallways and said kind, even effusive, things about my...

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MEETING MYSELF LATER THAN EXPECTED

MEETING MYSELF LATER THAN EXPECTED

I realized I had become someone I didn’t recognize. It didn’t come with an announcement. It was a transformation unfolding in the most ordinary circumstances. I was standing in a doorway, of all places, listening to someone speak harshly to me about a matter that, at...

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ON TIME

ON TIME

Who can turn the world on with her smile? I grew up watching The Dick Van Dyke Show and The Mary Tyler Moore Show, so I was bouncing off the wall, as a young screenwriter, when Mary Tyler Moore’s MTM Enterprises (co-owned with Grant Tinker) wanted my script. Mary...

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